Two pieces that I did recently and both of them have gone to very good owners..
One of them is the great Dr. Henry Pym.. What a great character, Mr. Pym is, or was..
I have not read his adventures recently, but I do remember the Mr. Pym that I grew up with. He was a resourceful man, lived on his wits and his intellect, and wanted to be a superhero so bad he would go through multiple identities during his career. That wonderful idea to shrink and communicate with ants was fun as hell. Considering that insects have so much bio mass on this Earth, one would think that a man who can control them, would really be one of the most powerful forces around.. How can anyone defeat this guy? Yet they laugh..
The other fellow is SCOTT FREE!! aka Mr. Miracle! What a name! One of my all time favorite Kirby creations!
Books can be written on this wonderful character. His birthright has been stolen from him, he has been forced to live within a system that crushes ordinary humans into dust. Still, Scott is so full of that living will for freedom, that not even Granny Goodness and her hordes can crush him. It is amazing mythology and one that touched me as a young man reading his exploits. I am a huge, Harry Houdini fan, and this was the perfect book for me, the ultimate escape artist, plus Gods fighting for the fate of the Earth.
Had a wonderful morning with all the amazing people that run the Ferragamo flagship NYC store on 5th ave. The windows are full of the graphic novel pages, and we had a fun press conference with some very gifted folks!
Take a look at the windows no matter if you are in Europe, Asia, the United States, even Russia, the Ferragamo stores will be having this great showcase of graphic novel, meets fashion. Proceeds of comic book sales will benefit "Un Cuore, Un Mondo", a non-profit organization with the aim of promoting and supporting activities directed at helping children suffering from heart disease in Italy and around the world, with particular focus on developing countries, through care, healthcare assistance and charity work. Over seventeen years, "Un Cuore, Un Mondo" has supported more than 2,500 children and set up fourteen projects in twelve countries around the world: Libya, Eritrea, Kenya among many others. It is a wonderful cause. Here are some more pages of the graphic novel and others..
Here are some color studies I did. Just to understand the overall color of the pages
Above a color rough for some of the panels, and the finished page below..
A color study that never made it into the book but did set the tone for one of the panels.
Ferragamo's Hollywood years. I wish I could do an entire graphic novel on this part of his life..
One of the double page spreads in the book, Ferragamo leaving America and returning to, Italy.
Wow, it has been awhile.. So sorry that I been off the world of blog, but so many things kept happening that it was better to sit, concentrate and get the work out.
One of the wonderful projects that I can finally talk about was doing a graphic novel about the life story of Salvatore Ferragamo, the great Italian shoemaker, designer, artist.
It took about three months or so to write, draw, paint and get it all together. The artwork is now the property, and on display at the Ferragamo museum in, Florence, Italy.
I got back a couple of weeks ago from one of those mythological trips that a person takes once in a lifetime. Met some amazing new people, some wonderful artists, and got to tour, Florence and Bologna in a way that both unique and educational.
The graphic novel is at all the Ferragamo stores, or should be, by now, and the Ferragamo company has been amazing in that starting this week, all the stores around the world will change their window displays, and put up the pages of the graphic novel, so go out and take a gander.
Lots more to share, I have a couple of great pics of the Ferragamo Museum show, that I will post later.. no not next year..
Right now it is all about saying hello to all you artists out there, and getting back to posting every week something fun and new. Lots of painting was done in the last couple of months, so I hope you all enjoy some of the new work.
Here are some of the interior pages that were done.
Yeah, even high fashion needs Giant Robots..
And here are some pics of the exhibition at the Ferragamo Museum in Florence.
The wonderful Andrea Plazzi one of the magicians of Symmaceo publishing who with his support, along many others: this job sailed like a charm.
Unknown girl the day after the exhibit open.
All the sketches that went into the project was also part of the exhibit, so that one could understand how a graphic novel is put together.
Working faster than anything I have ever done before, sort of liberating!
Hopefully another couple of weeks and this thing will be done. Here are two illustrations from Frankenstein.
The first, is the scene after the creature has been created, Victor Frankenstein wanders almost naked through the cold rainy night, aghast at what he has wrought. Lost and scared, he is welcomed by an old friend who appears out of a carriage. One of the great themes in that book is the emptiness that comes after the long creation process. It is one of the reasons I choose that moment to illustrate. That feeling is something that artists, and writers feel first hand. More rain will be added later, right now time to move onward.
The other illustration is after the creature has told his version of events to his creator, Victor Frankenstein. I loved the description in the book where Victor talks about how fast the creature moves over the ice pack. We are so used to the slow moving monster, that we forget that Frankenstein is the first superhuman ever created. He is faster, stronger, smarter than any being on Earth.
Went out with my oils and sat on 187 and St.Nicholas ave, what a place.. it buzzes around with a life of its own at all hours of the day and night. I figure while I am here I should paint some of the Washington Heights area, since I am working on a book on it.
So I sat there, mixing and painting fast while people walked around, and thought I was nuts.. this was just after it had rained, so the clouds were moving west.
Anyway, I realize that oils is not the greatest medium to put in a sketch book, walking around trying to make sure the pages did not stick was a laugh. I am sure I will do that again, but be more prepared.
Best to all.
Acrylics is really the medium for a Clifford Geary illustration, even though many of his illustrations aren't really painted, but to capture that flat abstract sense, Acrylics would be my choice. Then again I am working with oils on Frankenstein and was to lazy to break out all the Acrylics. A fun experiment. But in order to get that feel I would have to wait for it to dry and then hit it again, and who has time for that.. This is as much as I can do wet into wet with oils right now, thought I would share, I can't scan this stuff, I would be cleaning the scanner for days. So excuse the cell phone pic.
Its my lunch time quickie, and now back to Frankenstein.
I cut up and old box that was laying around and it works great for these quick oil experiments.
I had the great luck in my life of meeting one of the greatest Librarians that has ever lived.
One day I hope to write a story about her. She worked in PS. 189 at the top of Washington Heights. For some uncanny reason she took a liking to a nutty 8 year old kid who could not stand still, and kept drawing during the library period. and could barely read English. I guess she had two choices, hit me over the head with War and Peace, or feed me science fiction.
To my luck, War and Piece was over our age range and most likely not in the school library. So she gave me a copy of Sparks the Robot dog, it took a while to get the hang of it, but I loved that book. Soon afterwards came a copy of R is for Rocket, and Red Planet by Robert Heinlein. I devoured those books at such a rate that it surprised even me. For an extra treat the books had those amazing black and white illustrations by Clifford Geary that set my mind going. To this day I think he is one of the greatest kids book illustrator of them all.
When I had devoured all of Heinlein's books, I guess she had figured that my English was good enough to move on to the good stuff.
I was like some rabid junkie, going to her every week for a science fiction fix. It got to the point, I was reading so much, she talked to my teacher and I got to spend my lunch time at the library. It was heaven. Away from the kids that wanted to punch the living daylights out of me. I escaped into space.
One day I came in and, resting on her table was a copy of Ray Bradbury's Martian Chronicles..
It was much tougher than the R is for Rocket books, but Bradbury took me out of the Washington Heights fire escapes and onto the soils of the Red Planet. It took me a while to understand some of the themes he was playing with, lucky for me, I had the best Librarian in the world, who would sit with me and chat over tuna fish sandwiches, the beauty of the Chronicles of the Martians, and Fahrenheit 451.
Today I did without my lunch break and instead did a quick oil sketch for Ray Bradbury.
He took me away and brought me back, he expanded the mind, which is what writing is best at. The man loved art, music and words, and may he rest in peace.
Maybe there is a tuna fish sandwich I can whip up. Just for old times sake.
PS. the painting was done on cardboard that was going to be thrown out, two coats of gesso and it was great to paint on, I actually like that big crease.
Just wanted to share another page that I worked up, and this time I managed to catalog some more extra steps. Again this technique worked for this painting but it might not work on others. I will post in the future some other illustrations that had an entirely different thought process.
Again there is the rough small thumbnail.
As you can see its all big giant shapes, it had to be treated as such because there are so many characters, they have to be thought of us one solid mass. I made some small notes for my brain on the side with the colors that I needed to work with.
The next step is the pencils, here I put in a bit more work than usual, again because of the characters that I wanted to catch. I am letting the drawing evolve, putting in tons of stuff that later might change. The important thing running in my head is, how can I get the characters to read as a mass but keep their different traits.
Here is the raw umber underpainting, its just enough to keep it loose for me, and tight enough at this stage that I can tell who the faces are, at this point I take a break and walk away.. I find its always good to break and clear the eyes. I put some tape at the sides to clear the borders and I am ready to paint. I am not crazy about that blue tape, but I had run out of the other I used, and it was cheap and laying around. That blue can throw your values off a bit so its good to color correct as I go forward.
Now we have the first layer of paint, its all big and loose and the washes are applied lightly at first but with big strokes. My concern is to cover as much as I can right now and get rid of the white. Sometimes I would throw in an entire tone to to this, but in this case I decided to just move on with it. I did not want to sit around and wait for it to dry.
So I am working wet into wet, and moving forward. Right now, at this stage, one can give up, many times I have done just that. But this is Acrylics its very forgiving, so keep working on it.
Now here is the fun part, I have painted over things that I took time to draw, in this case the skeleton was bothering me, it took over the picture so I decided to leave it until the end. the same thing happens to the foreground bottles, and the blackboard, again my thinking is to keep it simple. So I concentrate on the figures and let things breathe.
At this point I break and walk away. Much thinking to be done before I can paint again, without thinking.
So finally I decide where the skeleton is going to go by just throwing the paint down. the glasses are moved to the other side. Again the decisions are based on instinct, and making sure the eye has an entrance point. At this point the painting is done, but.. there is more, the final painting will have oils on top, to smooth out some transitions and soften things up a bit. As soon as I do that I will certainly post it. Then again, it might be fun to see it when its all in the book.
Hope this helps, and more on the way. By the way Victor Frankenstein is the fellow with the bright scarf, I needed a visual hook for the audience to recognize, Victor from far away in other illustrations.
Frank Espinosa is the creator of the series Rocketo, published by Image comics and nominated in 2006 for three Eisner Awards. Frank has also been the Art Director at Warner Bros. Consumer Products and at Disney Consumer Products. Recently Frank taught at MIT in the CMS dept., teaching mythology, worldmaking and character design.